Sunday, 12 October 2008
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DIARY OF MAD "MUSIC" MAN


A Return to the Past yet Moving Forward into the Future PDF Print E-mail
Written by Christopher Mygrant   
Friday, 25 July 2008
Image
Terri Nunn of Berlin
It is the beginning of the nineteen eighties and the music scene in America is going through a change: a transition from what is now referred to as 70’s classic rock, disco and punk rock, to a type of music whose sole foundation is based on the synthesizer. To this point, the States have been offered only a taste of the synth sound courtesy of innovative groups such as Germany’s Kraftwerk and Japan’s Yellow Magic Orchestra, but it finally comes to pass that the music industry floods, not only the radio waves, but airwaves as well with the programmed, mechanized sound that is affectionately dubbed synthpop – a subgenre of New Wave music.

Key groups and musicians of synthpop were Howard Jones, Flock of Seagulls, Devo, Thompson Twins, Thomas Dolby, The Buggles, Gary Numan and the list goes on, but one group that viewers were exposed to on a daily basis, courtesy of the upstart television network known as MTV, was Berlin: an American band fronted by a powerhouse vocalist named Terri Nunn who was partnered with an innovative musician named John Crawford. Together, the two created songs that, to this day, resonate in the minds of all of us whose teenage years were spent watching MTV and going to many parties where their music was played.
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KATAKLYSM - Previaling Thru Metal PDF Print E-mail
Written by Christopher Mygrant   
Thursday, 24 July 2008
ImageKataklysm has got to be one of the hardest working bands out there. Since the release of In The Arms of Devastation in 2006, the band has toured relentlessly across the States and overseas. Not only did they promote ITAOD, but they found time to write and record ten new songs for their latest release, Prevail. A hard driving, kick in the teeth CD, which displays more tightness and togetherness than ever before. The songs are richer and have a lot of feeling, and to hear them performed live puts another twist on them. The energy that the band puts into the new songs will drive any non-headbanger to convert to the death side of metal.
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Facing a Hail of Bullets PDF Print E-mail
Written by Christopher Mygrant   
Thursday, 19 June 2008

ImageFearsmag's own Christopher Mygrant recently got a chance to sit down and chat with Martin Van Drunen from metal band HAIL OF BULLETS on death metal, staying real and the plight of the record industry.

Fears Magazine: Martin, first of foremost, thanks for taking time out of your schedule to speak with us; we greatly appreciate it. Okay lets get started shall we?

Martin van Drunen: Sure man.

Fears: Let me just say when the name Martin van Drunen is synonymous with the heavy metal genre You have quite a resume and have experienced many successes. With that said, how does a musician that has been around for some time, been in several bands gear him or herself up to once again promote a new band? By that I mean it is hard enough keep an existing band on the radar, but even though names may be known, the process of starting over, or at least that is how I view it, must be grueling. Why go through it all over again?

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CHIMAIRA - Diehard Metal PDF Print E-mail
Written by Christopher Mygrant   
Thursday, 03 April 2008

ImageOn a recent stop in Florida, the six-piece band known as Chimaira simply ripped through their set. The pit was immediately whipped into frenzy and left the crowd exhausted. Prior to the utter mayhem, Fears sat down with lead guitarist Rob Arnold to get some insight on these Cleveland, Ohio based metallers.

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CANNIBAL CORPSE KILLS! PDF Print E-mail
Written by Christopher Mygrant   
Sunday, 02 December 2007

ImageFears was granted the opportunity to interview Cannibal Corpse on the last day of the Metal Blade Records’ 25th Anniversary tour, but at the last moment, plans changed and the interview was canceled. Then an e-mail was received stating an interview could be arranged, but it would have to take place the day before the previous scheduled day via the telephone.

Phone tag between bassist Alex Webster and myself took place throughout the evening, but no contact would be made that night. However, after all was said and done; a meeting did take place the next day in Orlando, Florida.

I want to thank Alex greatly for granting Fears some of his time. No interviews were to take place on the last day of the tour, but Alex was gracious enough to make an exception.


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DROID - The Long Road to the Metal Throne PDF Print E-mail
Written by Christopher Mygrant   
Tuesday, 28 August 2007

Image“RELENTLESS” so says vocalist James Eason when asked to describe DROID

After completely listening to DROID’s newly released endeavor, one will get the sense of returning to the days of when metal music possessed something special - a singer with vocals laden with emotion (James Eason) backed by hard-driving, neck-snapping riffs (Jamie Teissere and Bruce Childress) and a solid bass and percussion foundation (Duke and Nick McWells). Signed to Korn guitarist “Munky” Shaffer’s Emotional Syphon Recordings label, the band’s self-titled debut surely is a standout of 2007.

While stopping in Tampa for the Family Values Tour , Fears had the opportunity to not only attend the gig, but to speak with vocalist James Eason. We caught up with James about an hour after the band’s second stage headling performance and as the phrase goes – here is what he had to say.

Fears:
How is the word success defined by you? Has the band, in a sense, “made it”?

James Eason:
No where near it. We have to pay our dues for a lot more years to come. I think once you think you’ve made it, it would seem like kind of a way to stop being creative. Stop driving yourself to do more things. But U2 made and they still make great records, so my statement could be wrong.

James_Eason_from_DROID-Photo_by_Chris_Mygrant

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L.A. GUNS - L.A. GUNner and former W.A.S.P. drummer, Steve Riley PDF Print E-mail
Written by Christopher Mygrant   
Tuesday, 28 August 2007

ImageSo I am sitting at the computer surfing the web with the stereo cranking out some classic, yes I said “classic”, eighties hair/glam metal tunes. It is a CD that contains bands like Bullet Boys (Smooth Up In Ya), Faster Pussycat (Bathroom Wall, Slip of the Tongue), Jackly (Dirty Little Mind), Poison (too many to list) and a host of other feel good performers that made the eighties metal scene what it was - great. As I continued to read an article, a familiar guitar riff comes across my ears; it is the opening to Never Enough by L.A. Guns. A song, that at the time, I had not heard in years. I quickly grabbed the remote, turned it up and sat back and relived the good ol’ times. Upon the song’s completion, I started doing my investigation on how I would be able to contact any member of the band in order to conduct an interview.

After reading some older interviews, I discovered that there are actually two bands performing under the L.A. Guns moniker. One contains drummer Steve Riley and vocalist Phil Lewis. The other version of the namesake has guitarist Tracii Guns leading the way. Well, to make a long story short, I e-mailed what looked liked the management company for the band. I did not receive any reply for about two weeks, when one day while retrieving messages from my voicemail, I hear the following: “Yeah, this message is for Chris. Chris, this is Steve Riley from L.A. Guns and I hear you would like to do an interview.” Steve leaves me his cell number, which I ring as soon as I finish listening to his message. Him and I set a time and day and below is the outcome of our conversation.

L.A.GUNS

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