Saturday, 04 July 2009
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INTERVIEWS


FEARS takes a trip to the dark side of the MOON with director Duncan Jones PDF Print E-mail
ON THE COUCH WITH J.B. MACABRE
Written by Joseph B. Mauceri   
Thursday, 23 April 2009
It is the near future and astronaut Sam Bell (SAM ROCKWELL) is living on the far side of the moon. He is about to complete a three-year contract with Lunar Industries to mine Earth’s primary source of energy, Helium-3. It is a lonely job, made harder by a broken satellite that allows no live communications home but only taped messages that Sam can send and receive.

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FEARS Reports from the Site of the ALIEN TRESPASS with Director R.W. Goodwin PDF Print E-mail
ON THE COUCH WITH J.B. MACABRE
Written by Joseph B. Mauceri   
Wednesday, 01 April 2009
ALIEN TRESPASS chronicles a fiery object from space that crashes into a mountaintop in the California desert, bringing the threat of disaster to Earth. Out of the flying saucer escapes a murderous creature — the Ghota, which is bent on destroying all life forms on the planet. A benevolent alien from the spaceship, Urp, inhabits the body of Ted Lewis (McCormack) — a local astronomer — and with the help of Tammy, (Jenni Baird) a waitress from the local diner, they set out to save mankind.


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FEARSmag steps up to the horror buffet with FEAST III director John Gulager PDF Print E-mail
ON THE COUCH WITH J.B. MACABRE
Written by Joseph B. Mauceri   
Monday, 16 February 2009
What began on a reality television called Project Greenlight, director John Gulager was united with fellow contest winners’ screenwriters Patrick Melton and Marcus Dunstan to make a little horror film titled “Feast.” Now some three years later the trilogy comes to an end with FEAST III: The Happy Finish.
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A Return to the Past yet Moving Forward into the Future PDF Print E-mail
Diary of a Mad Music Man
Written by Christopher Mygrant   
Friday, 25 July 2008
Image
Terri Nunn of Berlin
It is the beginning of the nineteen eighties and the music scene in America is going through a change: a transition from what is now referred to as 70’s classic rock, disco and punk rock, to a type of music whose sole foundation is based on the synthesizer. To this point, the States have been offered only a taste of the synth sound courtesy of innovative groups such as Germany’s Kraftwerk and Japan’s Yellow Magic Orchestra, but it finally comes to pass that the music industry floods, not only the radio waves, but airwaves as well with the programmed, mechanized sound that is affectionately dubbed synthpop – a subgenre of New Wave music.

Key groups and musicians of synthpop were Howard Jones, Flock of Seagulls, Devo, Thompson Twins, Thomas Dolby, The Buggles, Gary Numan and the list goes on, but one group that viewers were exposed to on a daily basis, courtesy of the upstart television network known as MTV, was Berlin: an American band fronted by a powerhouse vocalist named Terri Nunn who was partnered with an innovative musician named John Crawford. Together, the two created songs that, to this day, resonate in the minds of all of us whose teenage years were spent watching MTV and going to many parties where their music was played.
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KATAKLYSM - Previaling Thru Metal PDF Print E-mail
Diary of a Mad Music Man
Written by Christopher Mygrant   
Thursday, 24 July 2008
ImageKataklysm has got to be one of the hardest working bands out there. Since the release of In The Arms of Devastation in 2006, the band has toured relentlessly across the States and overseas. Not only did they promote ITAOD, but they found time to write and record ten new songs for their latest release, Prevail. A hard driving, kick in the teeth CD, which displays more tightness and togetherness than ever before. The songs are richer and have a lot of feeling, and to hear them performed live puts another twist on them. The energy that the band puts into the new songs will drive any non-headbanger to convert to the death side of metal.
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Brendan Fraser Takes A Fascinating Journey to The Center of The Earth PDF Print E-mail
ON THE COUCH WITH J.B. MACABRE
Written by Brad Balfour   
Tuesday, 08 July 2008

Even an old action flick veteran like Brendan Fraser (well, he's not really old, but he will be 40 this year) is thoroughly fascinated by the digital technology that has birthed a 21st century version of 3-D filmmaking. Of course, it's no wonder Fraser's enamored of this new technology since he is the star of JOURNEY TO THE CENTER OF THE EARTH —the first full-length, live-action feature shot in digital 3D. That's not to say that the Indianapolis-born actor needs the new variation on the medium to prove he is a hit-maker.

After all, Fraser quarterbacked the first "Mummy" film into a mega-hit that has now become a tent-pole franchise with another sequel, "The Mummy: Tomb of the Dragon Emperor," coming this August. But even before he had those hits, he became a comedic star shepherding along such kid-friendly films as "Encino Man," "Airheads," and "George of The Jungle." Of course, he has an Oscar-friendly, independent film side, having starred in such critically acclaimed films as "Gods and Monsters" and "The Quiet American" as well.

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Facing a Hail of Bullets PDF Print E-mail
Diary of a Mad Music Man
Written by Christopher Mygrant   
Thursday, 19 June 2008

ImageFearsmag's own Christopher Mygrant recently got a chance to sit down and chat with Martin Van Drunen from metal band HAIL OF BULLETS on death metal, staying real and the plight of the record industry.

Fears Magazine: Martin, first of foremost, thanks for taking time out of your schedule to speak with us; we greatly appreciate it. Okay lets get started shall we?

Martin van Drunen: Sure man.

Fears: Let me just say when the name Martin van Drunen is synonymous with the heavy metal genre You have quite a resume and have experienced many successes. With that said, how does a musician that has been around for some time, been in several bands gear him or herself up to once again promote a new band? By that I mean it is hard enough keep an existing band on the radar, but even though names may be known, the process of starting over, or at least that is how I view it, must be grueling. Why go through it all over again?

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