Thursday, 20 November 2008
NEWSCRYPT arrow INTERVIEWS arrow Clearing THE MIST as FEARSmag Braves the Red Carpet New York Premier
Clearing THE MIST as FEARSmag Braves the Red Carpet New York Premier PDF Print E-mail
Tuesday, 13 November 2007

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{New York} – The cast and crew of Academy Award®-nominated screenwriter and director Frank Darabont’s THE MIST, based on the Stephen King novella, were out in force at New York’s cinematic landmark, The Ziegfeld Theater, for the New York Premier of the film.

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Joining Darabont on the red carpet was the master of horror Stephen King. THE MIST marks the forth team of Darabont and King, a collaboration that began with Darabont’s short film adaptation of King’s short story “The Woman in the Room.” 

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Pausing for a group shop on the carpet with Darabont and King (center) were stars Marcia Gay Harden, Laurie Holden, Thomas Jane, and Toby Jones (left to right)

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Actor Thomas Jane plays David Drayton, one of the members of a group of terrified townspeople trapped in a local grocery store by a strange, otherworldly mist. Nine year-old actor Nathan Gamble plays his son Billy, who walked with Jane into the premier.

Also on hand was actor Bill Sadler and second unit director/KNB EFX group co-owner Greg Nicotero. FEARmag was able to speak with them, and star Thomas Jane about THE MST and upcoming projects.

 

 



FEARSmag: How does it feel when you get the phone call from director Frank Darabont that not only does he want KNB EFX Group to do the effects for the film, but he wants you, Greg Nicotero, to direct the second unit on THE MIST?

ImageGreg Nicotero: Pretty amazing!

Joe, you know as well as anybody, you can ask any of us what our favorite movies were that we watched as little kids, the magazines we read and the model kits we painted, and we all have a bunch of the same stuff on our lists. I’m sure films like “The Andromeda Strain,” “2001: A Space Odyssey,” “Escape From New York,” “The Thing,” and all the Universal monsters movies would be on there. We all share the same interest in these types of films. When it came to THE MIST, Frank said to me, “I can’t do this movie without you.” Fortunately we got Everett Burrell involved in the visual aspects of the film and everything turned out just so great. I couldn’t be more proud of this film. It was tough work and it’s a really great modern horror film.

What’s really nice about this film is that it doesn’t rely on a lot of blood, guts, or gore, and even creature effects. I’m proud of what I did for the movie, but it’s not about that. It’s about these people who are trapped in this market for less than 72 hours and they can’t even keep it together for that long. Frank made a very interesting comment the other day; he said THE MIST was like the tail wagging the dog. The creatures aren’t what this movies about, but they’re an interracial part of it. It’s almost as if these people could learn to survive amongst themselves and band together they could probably defeat the external threat. However, they can’t get their shit together.

FEARSmag
: When you began to discuss the design for the creatures for THE MIST who or what influenced them the most?

Greg Nicotero
: I did a tremendous amount of research myself and then it was important to bring in guys that Frank and I knew to help add to our initial concepts. We turned to folks like Aaron Sims, Kerry Gammill, Jordu Schell, Bernie Wrightson, and Michael Broom. We brought in a bunch of different guys because I wanted different takes on all the characters and giving us different ideas. The tentacle creature in the loading dock was a combination of something Aaron Sims and Bernie Wrightson did. When you get into some of the other creatures they’re all different flavors. I kind of put together the menu and than let the illustrators season the menu with different concepts and ideas that they had. It made me proud that I was able to some of the world’s greats illustrators and designs work with me on the initial design process for THE MIST. You should see the stack of stuff we didn’t use. We could make about fifteen based on the stuff we didn’t use in the film, and that is some amazing stuff!

FEARSmag: After you finish enjoying the limelight from THE MIST, what’s next for Greg Nicotero and KNB EFX Group?

Greg Nicotero: KNB continues to crank away. We just celebrated our 20th Anniversary and we’re prepping for the third “Narnia” movie. We’re doing another movie with D.J. Caruso called “Eagle Eye.” We’re signed on to do the third season of “Masters of Horror,” which right now is going to be done for NBC and is now called “Fear Itself.”

I’m actually developing a couple of movies to direct. Frank has been very instrumental by saying that he would be interested in producing anything that I would be interested in directing. I’ve had the opportunity to direct second unit for filmmakers like George Romero and Frank Darabont, getting my chops down a bit. I actually have the rights, with a guy by the name of Jeff Walker, to direct the film version of Joe R. Lansdale’s “The Drive-In.” It’s a tremendously exciting project. David Schow, who scripted “The Crow,” has a story that I’m interested in directing. I guy I work with, named Shannon Shea, wrote a film called “Mythos.” So we have a lot of projects we’re developing, creature effects we’re working on, and it’s all exciting. It’s a fun time in the work of monsters and KNB.



FEARSmag: Back in the mid 80’s, the radio production of THE MIST inspired me to go out and produce radio dramas and I had to buy my own binaural stereo microphone. You actually starred in that production and played the role of David Drayton. How does it feel to come back to this little slice of Stephen King’s universe some 20 years later?

ImageWilliam Sadler:
It was a gas. Frank actually came up to me about tow years before he did “Shawshank Redemption” and asked me to be in that movie I was smart enough to say yes, and every time he comes up to me I say yes again. I’ve just been blessed with this great association with Frank and Stephen King. I never knew that when I did that binaural recording that all these decades later I would come back and visit the same story. I think the billing on that is Bill Sadler, before I became William!

FEARSmag: You appeared in so many great films, and played some impressive villains. Two of my favorite characters are Col. Stuart from “Die-Hard 2” and Brayker in “Tales from the Crypt: Demon Knight,” especially because my friends Ethan Reiff, Cyrus Voris, and Mark Bishop wrote it.

Over the years I’ve had the chance to talk to numerous actors who’ve played some intense villains. One of the things we’ve discussed is how these guys can some times linger in your psyche and rise up at inopportune moments. Has that ever happened to you?

William Sadler
: Once you’ve slipped into these people and put their shoes on, and found that sort of dark place within yourself, I find it gets easier and easier to slide back into it. You can find yourself standing in a grocery line, getting pissed-off, and Col. Stuart will rise up and ask for his change! (laughs) My wife says that all the time that I bring these characters home with me. That’s not necessarily a good thing!

FEARSmag: After THE MIST what should we be looking for you in next?

William Sadler: There is an HBO mini-series called “The Pacific.” After “Band of Brothers,” this is the story of the war in the Pacific, with Steven Spielberg and Tom Hanks producing. I play Lieutenant General Lewis 'Chesty' Burwell Puller. We’re about half way through it and it’s going to take an entire year to shoot in Australia.


FEARSmag: I understand that you couldn’t join us at the press junket because you’re actually working on a feature you star in and make your directing debut?

ImageThomas Jane
: That’s right, I flew in just for the premier tonight.

It’s a film called “The Dark Country.” We’re shooting in New Mexico and, funny enough KNB EFX is working on the film. I play a bad guy called “Bloody Face” and it’s the best makeup I’ve ever had done for me. In fact, I have to fly back in the morning to get back to work.

It’s more of a noir/horror film. It’s the story of this couple driving through the desert to Vegas. They come across a body in the road that looks like it’s been in a terrible accident. He’s still alive, so they pick him up and try to find a hospital. The guy wakes up in the backseat terrified and freaked-out, wondering if people are after him. They try to get the story out of him but he’s just too mess up and bloody. He’s all paranoid. He attacks the husband and tries to kill him. They end up almost crashing the car. The husband ends up picking up a rock and kills the guy. They don’t know what to do with him. In a panic they bury him out in the desert and everything goes downhill from there.

FEARSmag: I understand you’re shooting it in 3D.

Thomas Jane
: Exactly! We have Paradise FX, the company that did ” Terminator 3D.” Again, it’s a noir/horror film, so we’re going for the effect that Hitchcock used when he made “Dial M for Murder” than what we saw in Vincent Price’s “House of Wax.” It’s a more sophisticated use of the technology, which is what we’re striving for.

FEARSmag: And you just wrapped work on “The Mutant Chronicles” before you started “The Dark Country.”

Thomas Jane
: Yes, and Geoff Boyle, the director of photography on the film is also the d.p. on “The Dark Country.”

It’s a great cast, and I’m in the film with John Malkovich and Ron Perlman.

FEARSmag: It’s been kicking around Hollywood for a couple for years.

Thomas Jane
: The film is based on this role-playing game from like the mid 80’s. It's a really interesting film. Me and Ron (Perlman) were impressed by the quality of the production we did. It’s due out the summer of 2008.


THE MIST opens nationwide November 21, 2007, and is rated R by the MPAA.
Read the FEARSmag Review of THE MIST
Check back as we continue to update our coverage on the film.
Photos © 2007 Rich Buxo



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